Coming up next speak by having a pretty decent mic preamp in there. And I don't know about the solo, but definitely the Twins got a decent enough mike pre you have that super low latency feel and it does provide a very cushy, solid feeling system, you know, like it's not annoying hearing yourself late. You can you can route things into this mixer. You can add a little like whatever. If you're a singer, you can add reverb to your voice. You're you're gonna be able to do all this stuff that you would want to do for the most part. And but you got to know what you want. And here's another not often done thing, but I do. I've done some very rare occasion is set up a monitor only chain, so they're printing raw but they're monitoring. Yeah that without the singer chain. You know, I want to hear more reverb blah blah blah. Like I've set that up like a big fat LA two or a boxbox plug in you know. Yeah, I just had them sing into the compressors. That. Yeah. I've done that for a couple of voice actors because they came from radio and they were used to hearing this juicy saturated thing in the cans and and like they really miss it, like they want to hear. They must hate it when they go for the edit. Yeah they're playback. Yeah yeah. The Pro Audio Suite thanks to Triper and Austrian Audio. Listen now on your favorite podcast provider
