Read It Like You’re Dead Inside?! - VO Direction Gone Mad | Pro Audio Suite
The Pro Audio SuiteMay 05, 2025x
16
00:11:2921.18 MB

Read It Like You’re Dead Inside?! - VO Direction Gone Mad | Pro Audio Suite

What’s the weirdest direction you've ever received in a session?
"Read it more magenta"?
"Give me rage, but lean toward anger"?
"Sound like a potato"? In this week’s episode of The Pro Audio Suite, Robbo, AP, George, and Robert dive into the hilariously bizarre world of VO direction that makes absolutely no sense… and yet somehow still happens every day. Pulled straight from Robbo’s viral LinkedIn thread, this episode is packed with laugh-out-loud moments, real-life war stories, and a bit of therapy for anyone who's ever heard:
“That was perfect. Let’s do one more.” 😵‍💫 PLUS: Why weird direction is your real job to decode as an engineer or producer, and how to turn “less voice, less you” into a usable note. 🎙️ Edited by Andrew Peters
🎧 Mixed by Robbo 👉 Grab the free "Direction Dictionary" we talked about here: voodoosound.com.au/vo-dictionary 🎙️ Sponsored by:
  • Tribooth — The portable vocal booth that's more than just a tent. https://www.tribooth.com
  • Austrian Audio — Makers of the OC818 and OC18 microphones we use on this very show. https://austrian.audio


    A big shout-out to our sponsors, Austrian Audio and Tri Booth. Both these companies are providers of QUALITY Audio Gear (we wouldn't partner with them unless they were), so please, if you're in the market for some new kit, do us a solid and check out their products, and be sure to tell em "Robbo, George, Robert, and AP sent you"... As a part of their generous support of our show, Tri Booth is offering $200 off a brand-new booth when you use the code TRIPAP200. So get onto their website now and secure your new booth... https://tribooth.com/ And if you're in the market for a new Mic or killer pair of headphones, check out Austrian Audio. They've got a great range of top-shelf gear.. https://austrian.audio/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn help them with the same info we're sharing with you. If you aren't familiar with Patreon, it’s an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite George has created a page that is strictly for Pro Audio Suite listeners, so check it out for the latest discounts and offers for TPAS listeners. https://georgethe.tech/tpas If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.” Hunter S Thompson

00:00:00
(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?

00:00:01
Get started.

00:00:01
Welcome.

00:00:02
Hi.

00:00:02
Hi.

00:00:03
Hi.

00:00:03
Hello everyone.

00:00:05
To the Pro Audio Suite.

00:00:06
These guys are professional.

00:00:08
They're motivated.

00:00:08
With Tech the VO Stars.

00:00:10
George Witten.

00:00:11
Founder of Source Elements.

00:00:12
Robert Marshall.

00:00:13
International Audio Engineer.

00:00:14
Darren Robbo-Robertson.

00:00:15
And Global Voice.

00:00:16
Andrew Peters.

00:00:17
Thanks to Triboo.

00:00:18
Austrian Audio.

00:00:19
Making passion heard.

00:00:20
Source Elements.

00:00:21
George the Tech Witten.

00:00:22
And Robbo and AP's international demos.

00:00:25
To find out more about us, check theproaudiosuite

00:00:27
.com.

00:00:32
And welcome to another Pro Audio Suite.

00:00:34
Thanks to Triboo.

00:00:35
Don't forget the code.

00:00:37
T-R-I-P-A-P-200.

00:00:39
To get $200 off your Triboo.

00:00:41
And Austrian Audio.

00:00:43
Making passion heard.

00:00:45
Now what are the weirdest things you've heard

00:00:47
during a session?

00:00:48
Well that was the question that Robbo put

00:00:49
up on LinkedIn.

00:00:51
And the response has been quite astounding to

00:00:53
say the least.

00:00:53
Even the weirdest things spoken or the weirdest

00:00:55
things just heard?

00:00:56
Well the weirdest direction.

00:00:57
Direction.

00:00:58
Yeah.

00:00:58
Yeah.

00:00:58
It was the weirdest direction.

00:01:00
Right?

00:01:00
So I mean stuff like this a mate

00:01:02
of mine, David Kirsten, came back with and

00:01:03
he said, direction I was once given by

00:01:05
a global pharmaceutical brand.

00:01:07
Can you pronounce the possessive apostrophe?

00:01:10
What?

00:01:10
What the?

00:01:11
What?

00:01:12
Exactly.

00:01:12
Can you pronounce the possessive apostrophe?

00:01:15
And how would you reply to that?

00:01:16
Because even I've read that now about half

00:01:18
a dozen times.

00:01:19
I still have no idea.

00:01:21
Howard's microphone.

00:01:22
No.

00:01:22
We need that.

00:01:22
We need that possessive.

00:01:24
Howard's.

00:01:26
Howard's.

00:01:27
What is that?

00:01:27
I don't know.

00:01:28
You can't pronounce that.

00:01:29
It's crazy.

00:01:30
Right?

00:01:30
It's just ridiculous.

00:01:32
There's another one here.

00:01:33
I once had a senior agency creative ask

00:01:35
me to direct the voice talent.

00:01:37
Can they give it a little more magenta?

00:01:39
Yes.

00:01:39
I saw that.

00:01:41
I thought that's a joke when they're like,

00:01:43
read it more purple.

00:01:44
That's like the joke, but I guess.

00:01:45
Yeah.

00:01:46
But he's obviously heard it.

00:01:47
Yeah.

00:01:47
Yeah.

00:01:47
That color?

00:01:48
Magenta.

00:01:49
Or you always get the brown.

00:01:50
I know.

00:01:50
Crazy.

00:01:51
Right?

00:01:51
Yeah.

00:01:52
Yeah.

00:01:52
Yeah.

00:01:52
Yeah.

00:01:52
Yeah.

00:01:52
Yeah.

00:01:53
Yeah.

00:01:53
Another one is, uh, here we go.

00:01:54
Being an actor for many years, I've been

00:01:56
directed usually in an audition by a director

00:01:59
or casting person saying something like, can you

00:02:02
give me more anger?

00:02:03
Actually give me more rage.

00:02:04
I want more rage, but lean and, uh,

00:02:07
lead toward anger.

00:02:08
So the emotion sits in the middle of

00:02:09
anger and rage, but leave it more toward

00:02:12
rage, uh, but not too much.

00:02:17
I, I, I, I think I've heard crazy

00:02:20
stuff like that.

00:02:21
Oh my gosh.

00:02:22
I like the, the read it, read it,

00:02:24
read it faster without sounding faster.

00:02:26
Oh yeah.

00:02:27
That's a classic.

00:02:27
That's the one I started with.

00:02:28
Cause that's the one everyone's heard.

00:02:30
Right.

00:02:30
You know, you hear that so often.

00:02:32
It's like, yeah, can we, can we do

00:02:33
it a bit faster, but, um, yeah, just

00:02:35
make it sound slower.

00:02:36
Would that be okay?

00:02:37
Yeah.

00:02:38
But the one that always gets me right.

00:02:39
And, and, and someone actually did mention this,

00:02:41
but the one that I always laugh at

00:02:43
is like, that's perfect.

00:02:45
Can we just do one more?

00:02:46
Yeah, that's right.

00:02:47
That's the one that always has me going.

00:02:49
One more for safety?

00:02:49
What was wrong with that?

00:02:50
Why?

00:02:51
Yeah.

00:02:53
True.

00:02:53
I remember, I remember talking to, uh, Richard

00:02:56
Lush, who was the, one of the Beatles

00:02:58
engineers and he was doing some music for

00:03:00
the 2000 Olympics in Sydney.

00:03:03
And it was cause he's, he's a man

00:03:05
of tape, but it was being worked on

00:03:06
in Pro Tools.

00:03:08
And um, anyway, they did a take and

00:03:10
then a couple of takes.

00:03:12
And then, um, the engineer said, do you,

00:03:14
do you want me to keep those?

00:03:16
And he said, well, I just asked you

00:03:17
to do another take.

00:03:18
So obviously, no, I don't want you to

00:03:20
keep those.

00:03:21
So why are you keeping them?

00:03:21
If we're going to do another one, we're

00:03:23
doing another one because those ones are not

00:03:25
good enough.

00:03:25
So yeah.

00:03:26
It's ridiculous, right?

00:03:27
Oh, here's another one.

00:03:27
This is a good, this is, tell me

00:03:29
what this one is.

00:03:30
This one was actually for a funeral directors

00:03:32
and the direction was read it like you're

00:03:35
dead inside.

00:03:37
Was this written by a 17 year old?

00:03:39
Inside what?

00:03:41
Exactly.

00:03:42
What the hell does that mean?

00:03:44
It's like, I don't know where people, and

00:03:49
someone actually said, and this is true, right?

00:03:51
Someone actually said directing voice is a bit

00:03:55
like describing a red wine tasting.

00:03:58
And it's kind of true, right?

00:04:00
It's sort of like, you know, I get

00:04:01
hints of cinnamon and tea and you know,

00:04:04
blah, blah, blah.

00:04:05
It's, it's, it's not just voice.

00:04:07
It's audio.

00:04:08
Audio has that weird thing, like all the

00:04:10
words, like unless you're in the audio industry.

00:04:11
But here's the thing, right?

00:04:12
Robert, here's the thing that, that I'm interested

00:04:14
to know from you because we're the ones,

00:04:17
we're the conduit, right?

00:04:18
We're the ones between the client and the

00:04:20
creatives at the back of the room.

00:04:21
And we're the ones communicating with the talent

00:04:22
in the booth.

00:04:23
Well, we're the ones that take, take, take

00:04:25
that direction when they go, can you read

00:04:27
it more magenta?

00:04:28
And you're like, that means go up at

00:04:30
the end.

00:04:31
We're the ones that left to interpret that,

00:04:33
right?

00:04:33
We're the ones that are going to go,

00:04:35
what the fuck does he mean?

00:04:36
Hang on.

00:04:37
Uh, yeah, look, I think it's probably, or

00:04:39
you're rolling your eyes through the glass at

00:04:41
them because they're looking at you like, what

00:04:43
was that?

00:04:43
And you're sort of rolling your eyes going,

00:04:45
oh, I don't know either.

00:04:46
Well you have to suddenly throw your direction

00:04:48
in there, which is enhanced.

00:04:50
Without making the client look stupid.

00:04:53
Yes, exactly.

00:04:54
That's right.

00:04:55
Yeah.

00:04:55
Yeah, exactly.

00:04:56
You're just, and one other thing, try it

00:04:59
like this, which really is kind of like

00:05:00
co-hosting a podcast.

00:05:02
All right, Robert.

00:05:03
So he's, he's a pop quiz and these,

00:05:05
again, these are real ones.

00:05:06
Can you sound taller?

00:05:07
What would you tell the talent?

00:05:12
Oh my God.

00:05:13
Okay.

00:05:13
Taller.

00:05:13
I would, I would say, um, taller.

00:05:16
Can you like, like, like, like more, more

00:05:22
open sounding and less.

00:05:25
My mind, my mind went to, my mind

00:05:27
went to, do you want them off mic?

00:05:28
Do you want them up here like this?

00:05:29
Hello?

00:05:30
That's me too.

00:05:30
Like, have them literally get farther from the

00:05:33
mic, I guess.

00:05:33
What about this one, Robert?

00:05:34
What about, do I sound taller now?

00:05:36
How about now?

00:05:38
I'm very tall now.

00:05:40
Does that sound tall?

00:05:41
What about this one?

00:05:42
What about sound like a potato?

00:05:50
It doesn't need to be a little bit

00:05:52
like this.

00:05:52
I'm a potato and I'm under the ground.

00:05:55
Yeah.

00:05:56
It just make it sound like you've got

00:05:58
a bunch of potatoes in your mouth, like

00:06:01
make it sound more Brown.

00:06:03
Yeah.

00:06:03
No, I mean like you have a lot

00:06:05
of eyes.

00:06:05
Sound like you have a lot of eyes

00:06:07
like a potato.

00:06:09
Oh, what?

00:06:11
Here we go.

00:06:12
What about this one?

00:06:13
Make it feel grounded, but lifted.

00:06:15
What the hell does that mean?

00:06:17
I don't know.

00:06:19
Oh, geez.

00:06:20
So, so I think grounded is like more

00:06:22
serious sounding and, and like, and somber.

00:06:25
And then lifted is like with, with like,

00:06:28
you know, uh, up, up at the end

00:06:31
and brightness.

00:06:31
And it's kind of, it's that typical direction

00:06:34
where it's two opposites and you're like, how

00:06:36
the fuck do I do that with authority,

00:06:37
but with a smile, AP, here's one for

00:06:40
you.

00:06:40
I want to know how you'd handle this

00:06:41
direction.

00:06:42
All right.

00:06:43
Okay.

00:06:44
Bags of energy, but laid back.

00:06:46
It's always the two opposites, always the opposites.

00:06:50
Yeah.

00:06:52
Well, this one for a cremation company, brighten

00:06:55
it up, but keep it respectful.

00:06:59
Come on now, you're yanking our genes now.

00:07:02
No, this is all, this is all people

00:07:03
have posted on LinkedIn.

00:07:04
It's just crazy.

00:07:08
There's gotta be some joke writers in our

00:07:10
LinkedIn, but I'll tell you what, 40 odd

00:07:15
lines of gems, just stuff you go, Oh

00:07:18
my God, but isn't it crazy?

00:07:20
The four of us all go, well, it's

00:07:22
not surprising you're hearing shit like that, you

00:07:24
know, it's just because we've, I, I wish

00:07:28
I had a memory for some of it,

00:07:30
but I, I know I've heard insane stuff

00:07:33
and I've definitely been in the position where

00:07:35
it's like, I got to interpret that one

00:07:36
for them because that no one's going to

00:07:39
understand that.

00:07:40
Yeah.

00:07:40
I've heard the opposite where the voice talent

00:07:42
has turned it back onto the producer.

00:07:47
It's like, okay, we want you to voice

00:07:49
it.

00:07:49
You're in a crowd, a crowd of people.

00:07:52
And the voice talent came back and said,

00:07:53
whereabouts in the crowd?

00:07:55
I think you told me that story.

00:07:57
That was Gibbo, right?

00:07:59
Yeah.

00:08:00
And I can imagine Gibbo doing that too.

00:08:03
Oh, you're in a concert.

00:08:04
Which row?

00:08:05
Yeah, that's right.

00:08:06
And who's on stage?

00:08:08
Beatles or Zeppelin.

00:08:09
Yeah, that's right.

00:08:10
Exactly.

00:08:10
And is my chair comfortable?

00:08:12
Does it have a pad or is it

00:08:13
kind of uncomfortable?

00:08:15
No, no.

00:08:15
I need to know.

00:08:16
I need to, if you're going to go

00:08:17
here, I need to know everything.

00:08:20
Is it the Hollywood bowl where it's kind

00:08:22
of crisp and cool in the evening or

00:08:24
is it more of an uncomfortable, sticky summer

00:08:27
evening?

00:08:27
Did I pay for the tickets or were

00:08:30
the tickets given to me?

00:08:32
Yeah, that's right.

00:08:34
If you paid for the tickets, you'd sound

00:08:36
a bit annoyed.

00:08:37
If they were free, you don't care.

00:08:38
I'll give this one to George.

00:08:40
Less announcer, less voice, less you.

00:08:45
What?

00:08:45
Less announcer, less voice, less you.

00:08:49
Well, that to me sounds like they're working

00:08:51
with a professional voice actor and they want

00:08:53
them to just not sound like a professional

00:08:55
voice actor and sound like they're mumbling and

00:08:58
not really giving a shit and kind of

00:09:00
letting it roll out of their mouth and

00:09:01
just giving a throwaway read, you know?

00:09:04
My favorite one is always like, just make

00:09:06
it conversational.

00:09:08
Right.

00:09:08
And then they direct the, make it conversational,

00:09:11
but can you highlight, sorry, but can you

00:09:14
highlight this word and that word and this

00:09:16
word?

00:09:16
And I'm like, well, I was going to

00:09:18
say the ultimate irony is the script says,

00:09:20
get down to Harris Farm Markets this week

00:09:21
because they've got oranges on special for $2

00:09:23
.99. You know, just make that conversational, please.

00:09:26
Yeah.

00:09:27
I say that shit all the time.

00:09:28
Exactly.

00:09:29
I know.

00:09:30
Crazy, right?

00:09:30
It's just ridiculous.

00:09:31
Or two guys in a pub talking about

00:09:33
something that's completely irrelevant and nothing you would

00:09:36
talk about in a pub.

00:09:37
Did you know that the Baxter Insurance Company

00:09:39
has excellent rates?

00:09:41
Right.

00:09:42
Exactly.

00:09:43
Exactly.

00:09:43
Exactly.

00:09:44
That's conversational because it's written as a conversation.

00:09:47
And look, it's in inverted commas so that

00:09:49
someone's saying it.

00:09:51
It seems so authentic.

00:09:52
Yeah.

00:09:53
Classic.

00:09:54
Oh dear.

00:09:55
I know.

00:09:56
I'm going to write a book after all

00:09:58
this.

00:09:58
I'm going to put them all together and

00:09:59
turn it into a book, I think, because

00:10:01
that's hilarious.

00:10:01
Someone should make the direction dictionary and it's

00:10:04
just like, like Magento.

00:10:07
Well, maybe I'll do that.

00:10:08
But it's just going to be like more

00:10:09
bright.

00:10:10
So, so like, like really end with an

00:10:12
up pitch at the end and everything will

00:10:14
just boil down to like three directions.

00:10:17
Well, I'll tell you what I'll do.

00:10:18
I'll chuck all these quotes, I'll copy, copy

00:10:20
and paste them from LinkedIn into ChatGPT and

00:10:22
I'll tell ChatGPT to write me a book,

00:10:25
a direction, you know, and I'll, just for

00:10:27
a laugh, I'll put it out there for

00:10:28
our listeners.

00:10:29
They can, on the Facebook page, they can

00:10:31
go and download it and have a look.

00:10:32
No more effort than that.

00:10:34
All black and white.

00:10:35
Just print it out.

00:10:36
AI.

00:10:36
Yeah.

00:10:37
I would be interested to see what ChatGPT

00:10:39
does with it.

00:10:39
AI is going to be like, this makes

00:10:40
no sense, I refuse.

00:10:42
And if you're really into wacky quotes and

00:10:44
voiceover sessions, go and watch Toast of London.

00:10:48
Oh, really?

00:10:49
Right.

00:10:49
Okay.

00:10:50
Well, you've got me now.

00:10:50
That is a great series, comedy series.

00:10:53
Toast of London.

00:10:54
Well, that was fun.

00:10:55
Is it over?

00:10:56
It's over for me.

00:10:57
The Pro Audio Suite.

00:10:58
With thanks to Tribo.

00:11:00
And Austrian Audio.

00:11:01
Recorded using Source Connect.

00:11:03
Edited by Andrew Peters.

00:11:05
And mixed by Robbo.

00:11:06
Got your own audio issues?

00:11:08
Just ask Robbo.com.

00:11:09
With tech support from George the Tech Whittam.

00:11:11
Don't forget to subscribe.

00:11:13
And join in the conversation on our Facebook

00:11:15
group.

00:11:16
So leave a comment, suggest a topic, or

00:11:18
just say g'day.

00:11:19
Drop us a note at our website.

00:11:21
ProAudioSuite.com.

00:11:22
ProAudioSuite.com.