The Future of Voice Licensing: AI, James Earl Jones, and the Ethics of Voice Replication
Movies First: Film Reviews & InsightsOctober 07, 2024x
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00:25:0546.1 MB

The Future of Voice Licensing: AI, James Earl Jones, and the Ethics of Voice Replication


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(Transcribed by TurboScribe.ai. Go Unlimited to remove this message.) Y'all ready to be history?

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Get started.

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Welcome.

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Hi.

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Hi.

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Hi.

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Hello, everyone.

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To the Pro Audio Suite.

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These guys are professional, they're motivated.

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Thanks to Tribute, the best vocal booth for

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Introducing Robert Marshall from Source Elements and Someone

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Audio Post, Chicago.

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Darren Robert Robertson from Voodoo Radio Imaging, Sydney.

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Tech to the VO Stars, George the Tech

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Whittam from LA.

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And me, Andrew Peters, voiceover talent and home

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studio guy.

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Line up, man.

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And Austrian Audio, making passion heard.

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Now, speaking of Austrian Audio, don't forget the

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It ends now at the end of the

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It's all about doing a mix with the

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Now, onto the topic for today's podcast, yes,

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it's the old AI bandwagon.

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So, you know, we all know there's a

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good side and there's a bad side to

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AI.

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The good side is the way James Earl

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Jones signed over his, or licensed his voice

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to Disney.

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So his family or the trust or whatever

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get paid every time they use it.

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What a legacy though, too.

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Imagine that.

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For generations to come, your voice will still

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be heard.

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That's amazing, isn't it?

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When you think about that.

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It's kind of weird, actually.

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I'm not sure about that.

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Anyway, but on the flip side, and this

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was something that popped up, I saw a

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couple of weeks ago.

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There's a guy called Paul Sky Learman and

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Linear Sage.

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They were listening to a podcast about AI

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and it was an interview with an AI

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powered chat bot with text to speech.

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The AI had Paul Sky Learman's voice.

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So when they got home to their apartment,

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they started finding out where this is all

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coming from.

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They traced it.

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And then they found her voice as well.

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So you can gather there is a lawsuit

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going on as we speak.

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And I think the company's, well, I won't

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do the company name because we get sued.

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Haven't we covered this?

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Isn't that not stolen?

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Stolen what?

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There's something that's not protected.

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Isn't that what we understand?

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Well, I don't know.

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If there's not permission to use it, I'm

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guessing it's like using an image, isn't it?

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When we had that lawyer guy on not

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all that long ago, that wasn't the case.

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We don't own our voice.

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Remember we had the Australian lawyer on not

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all that long ago, well, a couple of

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years ago now, and he was going, well,

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we actually don't own our voices.

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Well, he's wrong.

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Yeah.

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But so what's the deal, Robert?

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What do you think?

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I think that all, I won't name them,

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I guess, but the AI companies that are

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letting any Yahoo in the world just upload

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whatever audio they want of someone's voice that

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they don't own, and it's not their voice,

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and upload it into someone's server so it

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can be put into the soup of synthesized

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voices and used as basically intellectual property, I

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think it's horrible.

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I think that if you should absolutely own

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the rights to whatever you upload into some

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AI engine, and the fact that these companies

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are basically going, like it's some porn website,

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sure I'm 18, sure I have permission to

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upload this voice, they're just enabling fucking theft,

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and I think it's bullshit, and you can

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edit out all those swear words.

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Not on this show you're not.

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When do I ever edit them out, Robert,

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let's be honest.

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Well yeah, this is deplorable, and there's an

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article in a website called futurism.com talking

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about the fact that James gave up the

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rights to that voice a few days before

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he sold them.

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Well, a few days before he passed, he

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finalized the deal, it was initially duplicated by

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Respeacher, which is a company based in Kyiv,

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and when these guys have been literally at

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war, they've been in their bunkers writing software.

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Well, do you know what other software these

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guys are writing in their bunkers?

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Source Elements, I'm guessing.

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Yeah, there's a lot of very smart, and

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people that don't have a lot of other

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good things to be doing right now in

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Ukraine, coding.

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But then it also turns out that another

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voice from the same film, from Star Wars,

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his voice got used, and 22 years after

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his death, the character was Grand Moff Tarkin.

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Yeah, Governor Tarkin, he was the guy who,

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in the original Star Wars, who blows up

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the Tatooine.

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Yeah, the claim is that Cushing told him

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prior to his death in 1994 that nobody

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was to digitally recreate his likeness without his

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express permission.

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This is 94.

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Disney claimed in its response that it paid

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Cushing's agent to use his likeness to revive

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the Tarkin character in Rogue One, and that

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Francis was seeking unjust enrichment when suing, I'm

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sorry, I didn't mention who Francis is, that

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must be his agent, or lawyer, maybe.

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Kevin Francis, a producer who worked with the

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late actor Peter Cushing, is suing.

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Interesting.

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He won 650 grand, and that's in court.

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Now there's like, you know, whatever Jones signed

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on a contract for his feature is probably

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better than when he got paid for the

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film in 1977, which is like seven grand.

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Jesus, I mean, you know, Disney have got

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it forever now, so you can only imagine

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what the figure might be.

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If you did a dodgy contract, and you

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just did a flat fee without residuals, you'd

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be kidding yourself.

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You know who I want to know what

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they earn, and I also want to know

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if it's a real voice, you know that

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TikTok voice, that, these guys are a rage,

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blah, blah, blah, blah, do you- Oh,

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yeah, but that's used a lot, I'm so

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tired of hearing it.

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Because if that's an actual voice, and not

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sort of synthesized, I hope he made some

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good money out of selling his voice, because

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Jesus, it's just everywhere, every second video.

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I doubt it.

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The first voice of TikTok, you know, we

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did that story, right?

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She sued them, because they stole her voice,

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and you know, she went out of court,

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she settled out of court, but Bev Standing

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is her name, she's a Canadian actor, and

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you know, that was sort of a watershed,

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in a lot of ways, and I don't

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know what's come of that, but you know,

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there's other- Well, she got something, at

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least, but I don't like sometimes when people

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settle out of court, when companies do dubious,

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illegal things, because it just hides it all,

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and makes them seem- I know, but

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all you do is feed the lawyers, too,

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that's the other problem, though.

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Give them a bucket of money, when you

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could just be going, well, thanks, I'll take

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that.

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I'd like to see a company like TikTok

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get bled dry.

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I will say this, my friends at Nava,

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you know, Tim Friedlander and Karin Kilfrey, they're

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doing the work here in the US, they're

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going to Congress, they're going to, literally, the

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war room, like two, three weeks ago, Tim

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and Karin were in the war room, that's

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where they had the meeting, to discuss this

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stuff.

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So they're trying to find ways to protect

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actors' likenesses, and they are, of course, getting

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the government involved, because that's what we need

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here, is laws to protect people from exploitation

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by corporations, and so they're trying to do

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that, and we'll see what comes of it,

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and it's because they're getting money from Nava

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members, the National Association of VoiceOver is getting

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paid dues, and they're using that dues to

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do stuff like this.

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I hope it works out, I hope it

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really does make change, and I hope that

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people's- Why isn't SAG on the forefront

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of that?

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They're a slow-moving, giant, you know-

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We've got the same thing here, we've got

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a body called AVA, the Australian Association of

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Voice Actors, they're doing exactly the same as

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NAVA, or Nava, so they're meeting with governments,

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they've had a couple of meetings, and it's

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been tabled in Parliament as well, about all

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this AI stuff, but that was my question,

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why is our union not doing it?

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What does your union do, though?

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Think about how many people are involved in

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steering what happens in the union, right?

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Whereas Nava, it's really like two or three

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people taking actual action on the behalf of

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thousands, you scale it up to the union

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where it's hundreds taking on the actions of

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millions, it's just a slow-moving bureaucracy crap

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fest.

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I think it's straight simple, it's plagiarism, if

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you quote somebody, you have to give them

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credit, and sucking in a bunch of information

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that's not yours and turning it into code

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is theft.

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I agree.

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Well, it's funny, because before we started recording

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this, you were talking about a friend of

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yours who ended up on, was it Kanye?

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You were talking about a Kanye song?

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Yeah, he has one particular line in the

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song Gold Digger, it's the line, get up,

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get down, that guy that says that line.

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And so he was recorded in what context?

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His father.

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His father was in a soul funk band

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in the 60s, and a lot of rappers,

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like, get up, get down, found that sample,

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they liked it, Kanye put it in Gold

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Digger, and he got sued, and he won,

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you know?

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So the fella beat, the fella won over

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Kanye and got paid by Kanye's team.

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It's like Kanye took it out and used

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Ani instead, get down, get out.

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But it's like, if you talk about that,

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so you get a royalty for that, for

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someone taking your voice, for using it in

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the song, someone gets your image and uses

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it, then you can sue them for using

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your image without permission.

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And you know, the whole thing that's going

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on at the moment with the Trump thing

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with Foo Fighters and Taylor Swift and all

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those people, they're all suing him for using

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their music without permission, but for some peculiar

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reason, it doesn't seem to be illegal to

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use or sample my voice or any other

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voice actor's voice for an AI.

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It's weird.

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Because it's never had to be, though.

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That's the thing.

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I mean, we, you know, and we all

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know the law doesn't keep up, and I'm

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not defending this at all, because I totally

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agree with Robert.

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I mean, you can't just do this.

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I'm not saying I disagree, but I think

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the problem is that this is all so

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new that the law just hasn't had a

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chance to keep up and sort of go,

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okay, well, we need to change here.

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It's not new.

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You know?

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Theft is old.

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It's like, I don't know, prostitution and theft,

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like the first two.

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Yeah, but you know what, it hasn't been

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as prevalent, I mean, how long since, you

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know, it's been a good few years that

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we've talked about this now, okay, it's probably

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three or four years, but I mean, in

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legal sense, that's the blink of an eye,

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you know?

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And it's like, it needs to keep up,

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and I think that's where Nava and Ava

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and, you know, their little twin sisters, you

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know, need to sort of get on to

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government and make, and yeah, and protest for

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change, absolutely.

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It doesn't need to change.

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It just needs to, people need to realize

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it falls under the oldest goddamn law, which

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is thou shall not steal.

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Yeah, but that's the problem at the moment.

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It's not stealing.

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That's the thing.

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It is.

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Yeah, it is.

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It's still stealing, and I don't know why

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they're just, the law doesn't see it as

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stealing.

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That's the thing.

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The law doesn't specifically say you can't do

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this.

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You've still got to go to court and

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prove your case.

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That's the problem.

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The law doesn't specifically say you can't do

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this, and that's the issue.

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Okay, and that's why Bev should not have

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settled out of court with TikTok.

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Well, true.

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Yeah.

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But, you know, you can't put it all

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on her either, I mean, Jesus, can you

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imagine the stress and everything else that she

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must have gone through to get to that

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resolution, you know?

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It's like...

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If she didn't, then there would have been

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an official conviction on the books and a

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precedent.

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I agree.

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But I totally can see where Bev went,

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fuck that, they're throwing a good amount of

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money at me, I'll take that, that's all

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I was after in the first place, thank

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you very much, you know, I get that.

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Yeah, it's pretty scary.

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Yeah, I get it as well, but it

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would be nice to actually have set a

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precedent in court.

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I think the precedent could be set in

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the fact they settled out of court, so

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I gather you could probably still use that.

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Well, you know, he said, we're not admitting

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guilt, we're just paying her off for all

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the bullshit we did.

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Yeah.

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It's like, well, isn't that admitting guilt if

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you're paying her off, because if you didn't

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do anything wrong, why are you giving her

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money?

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Right.

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Well, just to wrap it completely in a

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circle, going back to James Earl Jones, did

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you know that the rumor is, is that

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when you hear on CNN, the voice of

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James Earl Jones saying, this is CNN, that

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that was stolen.

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Really?

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Really?

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Yes.

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What?

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Not that they stole his voice, that it

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was one of those things, you know, when

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a celebrity goes to a radio show and

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they're like, can you do a liner for

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us?

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That's what it was.

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And guess what?

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Yeah.

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He became, this is CNN on CNN.

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And that voice was used over and over.

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And eventually one of his people was like,

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uh, yo, what the hell?

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Pay us.

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Pay us up, motherfucker.

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Hang on.

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Can we take a step back?

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So are we saying that because he agreed

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to record that line for CNN, that that's

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stolen?

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Is that what you're saying?

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Well, that's, this is a gray area.

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Because I'm just thinking, I put artist IDs

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in promos and stuff every day.

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G'day, this is Bruce Springsteen, you know, John

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Lennon, blah, blah, blah.

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I think it falls a bit differently in

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the, you know, cause I was thinking the

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same thing, but when you'd use like, you

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know, this, hi, this is- Yeah.

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Okay.

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Yeah.

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It's a misrepresentation, I guess.

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Yeah.

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More than anything else.

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Well, this is actually like an ID.

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This is like a full branding, basically.

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10 years of proof.

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This is CNN.

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That line right there.

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It sounds cool though, I have to say.

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It sounds good.

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You're probably right.

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It's very wrong, but it sounds very cool.

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It's a shame they haven't got a presenter

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called Luke, because you could have him going,

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Luke.

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Luke, who should they listen to?

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Who should they be watching?

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Luke, who do we trust for news?

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I was going to say to you guys,

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I recorded him because he was also the

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voice of Verizon.

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And I was, I don't know, 20 something,

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one of my first ISDN sessions, sweating balls

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because I'm going to have James Earl Jones,

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you know, on the mic.

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And he was, two things.

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First of all, he was the nicest person

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ever.

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Like, you know, what's your name?

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Oh, hello, Robert.

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Right, right.

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Not the persona that he had.

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Like, he came on Letterman, you know, and

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they did this thing, top 10 things that

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sound cool when James Earl Jones says it.

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And he stands there extremely stone-faced and

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stoic.

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He just was like, in this character, you

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know?

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That's not who he is.

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Super nice guy.

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No, he's very nice.

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Super affable.

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I don't know if you know this, but

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he, like, he wants his scripts ahead of

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time.

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He had a, he's, you know, he had

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a...

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Does his homework.

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Well, he got an award from, you know,

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SovAs, Voice Arts Awards.

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And, you know, of course they wanted to

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get a great name on stage.

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But, you know, for a reason, the guy's

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a legit voice actor who really does his

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work.

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He's not, he's not a celebrity who shows

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up, does their own voice as a character,

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like a donkey, and then goes on, goes

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on and says, I don't get the big

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freaking deal.

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I just do the voice.

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Why is voiceover so hard?

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I'm not going to say whose name this

00:16:10
is, but it's a stand-up comedian.

00:16:13
But that was a lot of BS, you

00:16:14
know, when he said that.

00:16:16
He does have such an amazing voice, though,

00:16:18
because I swear to God, he can punch

00:16:20
you through the speakers.

00:16:21
Yeah.

00:16:21
Well, like Don.

00:16:22
Kind of like Don did, right?

00:16:23
Yeah.

00:16:24
Yeah, yeah.

00:16:25
You know, this was in 1991.

00:16:27
He did the voice of the CNN for

00:16:28
an appearance.

00:16:30
And then he came on the show, Personalities.

00:16:32
This is an article on a website called

00:16:34
CBR.com.

00:16:37
You can look it up.

00:16:38
And Howard Jones then started telling people he

00:16:40
never agreed to do those liners.

00:16:42
He appeared on the TV series, Personalities, where

00:16:44
he claimed, I think it may have been

00:16:47
a freebie.

00:16:48
I may have just been doing an interview

00:16:49
like this.

00:16:50
And the CNN interviewer said, Oh, Mr. Jones,

00:16:53
would you please read this?

00:16:54
This is CNN.

00:16:55
And that's how it happened.

00:16:58
So that's a little sneaky thing.

00:17:02
And you can almost say it was ignorant

00:17:04
because it was 1990.

00:17:05
I don't know.

00:17:07
Someone had some foresight, though, didn't they?

00:17:09
Jesus.

00:17:10
I mean, James L.

00:17:11
Jones, Morgan Freeman, some of those guys, I

00:17:13
mean, they could say anything and you'd just

00:17:15
melt in your chair, really, wouldn't you?

00:17:17
Yeah.

00:17:17
Let's be honest.

00:17:17
I have not heard a very convincing soundalike

00:17:21
of James Earl Jones.

00:17:22
I've heard a lot of good soundalikes of

00:17:24
Morgan Freeman, and I know a guy that

00:17:25
does.

00:17:26
Who's the guy who does Tony the Tiger

00:17:28
now?

00:17:29
Earl.

00:17:30
Oh, the original was Earl, right?

00:17:32
Ravenscroft.

00:17:33
Earl.

00:17:33
Earl Ravenscroft.

00:17:34
But the guy who does Tony the Tiger.

00:17:36
Oh, it's somebody I know.

00:17:38
Who is it?

00:17:40
Here's something, I guess, to throw around, something

00:17:43
to think about.

00:17:43
Now, if these AI laws went through, I

00:17:46
wonder what that means for impersonations.

00:17:51
I mean, I know you can't just do

00:17:54
Morgan Freeman now, but I wonder what it

00:17:56
means for even soundalikes or close to's or

00:18:01
whatever that we seem to get away with

00:18:03
at the moment.

00:18:04
I wonder what that means.

00:18:06
That's a good question because I'm sure the

00:18:07
lawyers for the AI companies are going to

00:18:09
say it's not really them, it's an impersonation.

00:18:12
But I did a session with George, your

00:18:15
client, David Kay, right?

00:18:18
And he's freaking amazing.

00:18:20
He's doing, who's the nature documentary guy?

00:18:25
David Attenborough.

00:18:25
David Attenborough.

00:18:26
He's doing an Attenborough thing.

00:18:27
Yeah, he does an Attenborough, like, you know.

00:18:31
Oh, he's so good at it.

00:18:32
Would you say it's his voice match, or

00:18:33
would you say he's doing an impression?

00:18:36
He's doing an impression, but it's very good.

00:18:37
But it's so close.

00:18:38
And it's so funny when he goes into

00:18:40
it.

00:18:40
Yeah, it's good.

00:18:40
Because every time he starts a take, he

00:18:42
goes, I'm 93.

00:18:47
There's a sporting bet company here, and you'd

00:18:51
have to fact check me on this because

00:18:52
I'm not sure 100% of the details,

00:18:55
but I do know that these ads exist.

00:18:56
And there's a radio announcer called Mick Malloy,

00:19:01
and he's famous for being a really funny

00:19:04
guy.

00:19:04
And the story goes that they approached him

00:19:07
to do ads for Sportsbet, right?

00:19:11
And he said no.

00:19:13
So what they've done is they've found someone

00:19:15
who can do a Mick Malloy.

00:19:16
And so now, all of a sudden, Mick

00:19:18
Malloy has been on Sportsbet for the last

00:19:20
two years or something.

00:19:22
I know.

00:19:22
I know.

00:19:23
When I first heard that, I thought, what

00:19:24
are you doing, Mick?

00:19:24
Now, hang on.

00:19:25
But if we're going to go down the

00:19:26
AI road, what's the difference here?

00:19:30
To me, that falls under the same category.

00:19:31
It's theft, right?

00:19:32
It's got to be.

00:19:32
When I first heard that, I thought, why

00:19:34
would you not actually, say, give them a

00:19:38
disease?

00:19:38
Again, I don't think he can.

00:19:41
When we do, I've done some radio commercials,

00:19:46
and the star of the radio commercial has

00:19:48
a little legal thing that says, celebrity voice

00:19:49
is impersonated.

00:19:50
Which is the other thing about AI.

00:19:53
Should it be like, in Europe, everything that's

00:19:56
a GMO is listed, and there's those who

00:20:00
think that anything that comes out of AI

00:20:02
should be listed as such.

00:20:04
But in America, you don't know whether, fuck,

00:20:05
your food is synthesized or real.

00:20:09
Well, if we're going to get on the

00:20:10
disinformation bandwagon, then yeah, anything like that should

00:20:14
be under the microscope, shouldn't it?

00:20:16
Let's be honest.

00:20:17
I agree.

00:20:17
California, we're the masters of disclosing chemicals, because

00:20:22
you drive into any gas station in California,

00:20:24
and there's a sign on the gas pump

00:20:26
saying, there are chemicals known here by the

00:20:28
state of California to cause cancer.

00:20:31
It's on every single gas pump in California.

00:20:34
So, we are the kings of that.

00:20:36
We voted that in.

00:20:37
And it's one of those things, it's noise.

00:20:39
Nobody cares anymore.

00:20:41
It's just noise.

00:20:42
It always makes me laugh when you see

00:20:43
glue packets and stuff like that says, caution,

00:20:46
deliberately enhancing and inhaling the contents may be

00:20:49
harmful or fatal.

00:20:50
And it's like, wow, there's a revelation.

00:20:53
You mean those are user instructions on how

00:20:54
to get fucked up?

00:20:56
Exactly.

00:20:56
In other words, go away and try this.

00:20:59
Are there pictures of a baby on plastic

00:21:02
bags saying, don't put your baby in the

00:21:04
bag to play for playtime?

00:21:05
No, but there probably will be soon, given

00:21:08
this government's tendencies.

00:21:11
We have plastic bags that are made in

00:21:14
the billions in China that each have an

00:21:16
image printed on it saying, do not let

00:21:18
your baby play with the bag.

00:21:20
That's funny.

00:21:21
There's another thing where those little flat button

00:21:24
cell batteries, they're 2032s, they're the ones doing

00:21:26
so many things now.

00:21:28
They have new ones that taste bad.

00:21:30
Oh, really?

00:21:31
To stop kids putting them in their mouths.

00:21:32
There's actually a chemical and it's printed on

00:21:34
the thing and it says there's like a

00:21:36
baby's face with a frown.

00:21:38
Are they going to do that with 9

00:21:39
-volt batteries too?

00:21:39
If they put it in their mouth, it

00:21:40
tastes bad so they'll spit it out.

00:21:42
It's actually quite scary.

00:21:43
Are they going to do that with 9

00:21:44
-volt batteries?

00:21:45
Well, 9-volt batteries, it's an actual chemical

00:21:47
reaction from the electricity on your tongue.

00:21:49
Yeah, when you put it on your tongue.

00:21:50
But these batteries don't really have, they're only

00:21:52
three volts.

00:21:53
You don't really get much of it.

00:21:54
When you're testing OB or something, you go,

00:21:58
oh yeah, the battery's okay.

00:21:59
I've done it a thousand times.

00:22:01
Yeah, yes.

00:22:02
I know.

00:22:03
I used to do that when I was

00:22:04
a kid.

00:22:04
Absolutely.

00:22:05
With a 9-volt battery.

00:22:07
Stick your tongue in my mouth.

00:22:09
Do you know what Rebecca was telling me?

00:22:12
Apparently in New Zealand, they have these electric

00:22:17
fences for farms.

00:22:21
Don't use your tongue.

00:22:22
Don't piss on them either, let me tell

00:22:24
you.

00:22:25
Well, don't piss on them either, right?

00:22:27
But apparently kids would do this game because

00:22:29
the electric fence is electrified in a pulse.

00:22:32
It doesn't stay electrified the whole time.

00:22:34
So the thing is, wait for it to

00:22:36
hit, then grab it, and hold on for

00:22:39
it as long as you can, and then

00:22:40
let go before it hits again.

00:22:42
And of course, you end up holding on

00:22:44
to it too long.

00:22:44
And she said, she described how it is

00:22:47
to have the electricity build up, and it

00:22:50
warms you up inside.

00:22:52
And it's like, whoomp.

00:22:54
I was like, holy cow.

00:22:57
Get on your ribcage.

00:22:58
There's a show here in Australia about working

00:23:01
dogs, and it's a competition where Australia's best

00:23:04
working dog trainers get puppies, and they raise

00:23:09
them, and they have competition to see who

00:23:10
can raise the best working dog.

00:23:11
Anyway, long story short.

00:23:13
I'm pretty sure it was in this, or

00:23:14
it might have been something else.

00:23:15
But there's this scene in something that I

00:23:17
saw.

00:23:17
One of these puppies went up to the

00:23:19
electric fence and takes a bite of the

00:23:22
fence.

00:23:23
And just before it bites down, you hear

00:23:24
this crack like an electric jump, electric voltage.

00:23:28
And this poor puppy goes off screaming down

00:23:31
the paddock.

00:23:31
Yelp, yelp, yelp, yelp, yelp, yelp, running away

00:23:33
from the fence.

00:23:34
It's very funny.

00:23:36
Aussie cattle dogs are super popular here.

00:23:38
My friend's got a mix.

00:23:39
Everybody loves an Aussie cattle dog mix.

00:23:42
Blue cattle dogs?

00:23:43
Or Kelpies?

00:23:44
Yeah.

00:23:44
Blue is the hero there.

00:23:46
I wonder if that's because of Bluey, which

00:23:48
is now the number one show in the

00:23:50
entire world.

00:23:51
It's massive, massive, massive, massive.

00:23:54
Dan and Joe, congratulations, since we're on that

00:23:56
subject.

00:23:57
Full stop.

00:23:57
Something in the $2 billion valuation or something.

00:24:01
You probably used to see a mate of

00:24:02
mine with his Kelpie.

00:24:05
Wow.

00:24:05
Down on, he used to take it for

00:24:08
a walk down at Malibu.

00:24:08
Oh, really?

00:24:09
Yeah.

00:24:09
They're so popular.

00:24:11
Kelpies, my friend has a mix.

00:24:12
You'd always get told off because it's always

00:24:14
off-limits.

00:24:14
Yeah, he loves it.

00:24:16
Kelpies are great.

00:24:16
Good luck with editing that one.

00:24:18
There's just a huge chunk in the middle

00:24:20
that's coming out.

00:24:23
It's going to be a donut.

00:24:25
Yeah.

00:24:25
Leave some silence in the middle.

00:24:26
We'll just put a censorship bleep in the

00:24:28
middle.

00:24:28
There you go.

00:24:28
That would be very appropriate.

00:24:31
Well, that was fun.

00:24:31
Is it over?

00:24:32
Sounds like me.

00:24:33
The Pro Audio Suite.

00:24:35
With thanks to Tribus.

00:24:36
And Austrian Audio.

00:24:38
Recorded using Source Connect.

00:24:39
Edited by Andrew Peters.

00:24:41
And mixed by Vudu Radio Imaging.

00:24:43
With tech support from George the Tech Whittam.

00:24:46
Don't forget to subscribe to the show.

00:24:47
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00:24:53
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