Welcome Hi to the Pro Audio Suite. These guys a professional and motivator thanks to try Booth, the best vocal booths for home or on the road voice recording and Austrian Audio Making Passion Herd introducing Robert Marshalls from Source Elements and Someone Audio Post Chicago, Robert Robertson from Voodoo Radio Imaging Sydney to the vo Stars, George the Tech Wittam from La Andrew Peters, Voiceober Talents and Home Studio Go and welcome to another pro audio suite thanks to Austrian Audio Making Passion heard try Booth. Don't forget the code TI PAP two hundred that'll get you two hundred dollars off your purchase. That's US dollars by the way, and also Passport vo the collaboration between the Pro Audio Suite and Sentrance with the brand new interface should be in your hands by the end of the year if you've bought one, should be in your face by the end of the year. Is that what you mean, the interface in your face? It should be in your face interface exactly. Talking of things you desperately need to run your business. This is one of Robert's ideas three applications is a good one. That's all. You've got three applications to keep your business going. What are they and not specifically audio? Right, Well, whatever you need, yeah, whatever you need to run your business. Yeah yeah, yeah, like just just whatever you need to get your you go first, right, okay, Well for me, it would be pro Tools Source Connect for obvious reasons, and I would do a wave subscription so for the waves bundle, and that would mean that I just do everything I do. I think I was going to see the exact same thing. Yeah, well it's like I think that was pretty obvious. Really, Yeah, yeah, I mean that's okay as DAWs we use those as well in this Well that's what we talked about three apps. Like like you got your your whole business, like as much as your business done with three apps. So no word, somebody else is doing everything else for you, Like somebody else is doing all the admin, the scheduling, the communication. Yeah, okay, the thing that you hanger hat on. Yeah, like like very much. Do what you do, like like what you do not Yeah, I'm like, don't worry about your taxes. Don't worry about your taxes. All that kind of really is that for real, can I can I quote you on that? Yeah, don't worry about them, right, Yeah, you can tell your equivalent of the area. As they said, don't worry about it. It's that time of year here right now. So yeah, that's great. Now done here you go. Don't worry about your taxes anymore. Like that they're gone. There would be stuff I'd miss, Like I'd miss things like track space, um, you know, stuff like that that just makes my life a little bit easier. But you could still do with a Wave of subscription. So yeah, speaking a lot with Waves. I mean, like I was just thinking about it, like, would would I want Waves over plugging Alliance? And yeah, the only reason why plugging Alliance is because they have DSP versions. Yeah, but Clarity and some other things and calling alliances and I have yet. Yeah. See that's the thing you got to remember, no isotope. But it would be one of those mega subscriptions. Yeah, you'd have to you'd have to have the the everything's one of those to one of those platforms. Yeah, I think that would get me bump. Plugging from Waves is the mouth the click plug in. They've got X click, They've got X click. It doesn't work for it. It's that that's like, that's like inject distortion, like is it is like a lot of de noise plugins that end up being cooler for the noise they create. D I n R. You know it's inevitable they're gonna have a AI D clicker. Yeah. But see if you know, if you if you can only have three bits of software then and and the wives one didn't like you just have to do it old school way I suppose, and it's go and cut it out. Waves is so encompassing. Yeah, that's all is your D clicker. Yeah, it depends on to all my mouth clicks out anyways. Yeah, that's what I do. Yeah, well I use cut generically. Yeah, yeah, you know that. Yeah, I mean but I would I was thinking the exact same thing. So yeah, tricky huh about UAP. It's tricky with me. I mean, the two that are obvious is if I'm limited to three, the first two would be twisted Wave because it's dead easy to use source connect, which is obvious that you need that anyway to survive in this day and age. As for the third one, I don't know, but I kind of think I know I haven't got it but I wouldn't mind. If I had the choice of one plug in, it would be the waves what's it called de reverb any one only because I could see that working from me when I'm traveling and stuff. But but that that would be my three. I guess perfect. They all make sense. George, you're going to be the tough one. You're you're the one in the stickiest situation. This is super freaking George's going to go square strike. Actually yeah, I mean what I do specifically is so widely varied, Like I because I'm working with so many different people with so many different sets of tools and different budgets, and and then my own company needs all these different other tools to run. And then I use these other tools to teach people because I teach webinars, and it's just so many things. So if I maybe if I narrow it down to like, take your core business though, right, helping people, what tools I need? What tools I'm going to use at least once a week, if not every single day, not including web apps like Google Everything and that kind of stuff. Um, well, I'll have to I'll just get it out of the way. I have to just say, first, Zoom, I need to say it, but Robert, you can hang out rub it. Yeah, it's cringing. I'm just using Zoo every day, every single session because it has everything under one roof and I don't have to direct people to different places and different links in different places to do everything I need to do. And that has been very, very powerful for me. So I'm teaching webinars via the Zoom webinar platform. Of course, I'm using it for remote technical support. I'm using it for my meetings with my team, on and on. So for me, Zoom is extremely, extremely important and reasonably priced tool for doing all what I do. Yeah, actually I could say, but sorry George to interrupt, but I do use Zoom a lot as well for sessions, So I probably should have dropped the waves using it because you're being asked to use it, correct, so that doesn't count. Okay, okay, George has got being asked to use it. That all out of this whole thing, you can take in a descript and it's like find zoom. Speaking of descript, another tool that has become more more so recently invaluable to me being able to self produce and self edit my videos is descript because the transcription functionality, how it integrates itself into the workflow as being able to script edit your videos on the fly and then turn that into different format of output. I can create widescreen square portrait all from the same video. I can do auto subcaptioning or captioning. If I was really lazy that day, I'll turn on studio sound mode, which I rarely ever use. But that's their equivalent to clarity. And yes, it's all in there, and it's unbelievably efficient. It's not been absolutely perfect because it feels like something. It feels like a little bit like one of those apps where the philosophy of of software development has moved fast and break things a little bit. So I definitely doesn't feel like pro Tools, where it's had twenty five years and wave Lab waves with twenty five years of evolution, right, it's still very new, But that took the place of screen Flow. In fact, I used to use screenflow all the time for doing tutorial videos and screen captures and editing videos and on and on, and it just never got more reliable. The company that develops wave Lab just doesn't understand how to make something better with age. They just keep injecting new problems to that program, and it's really frustrating. So that's the second one. The third one, and again staying off of the web and just looking at my dock and looking at things that I'm going to launch and use on a very very frequent basis, I have to say probably OBS. So OBS is Open Broadcast System or Open Broadcast software, and that lets me create webcams out of anything I want on my computer. Literally, anything on my computer can become quote unquote a webcam. So whenever I'm guesting on shows on video and I want to show anything on my screen at any time, I can immediately inject my screen onto whatever I'm doing. I can have multiple webcams. I can have my iPhone patched in to be another camera, and I can get this up and running and being using it within five minutes of going live. And then you feed like basically you feed that all out as a virtual webcare. It has its own internally built virtual webcam that you activate. Once you activate that, that shows up as a camera in Zoom or anything I'm doing on my computer or anything in Chrome whatever, and it now becomes another camera. Uh. And um, it's a free app. Um, I would pay for it if they wanted me to. It's it's a it's a bit like Reaper. It'll do like you're doing a little bit, and it gets better with it seems to get better with age. It seems very stable. That are about the version twenty or so? And um yeah, obs from my world because I'm video video is such an important part of what I do. That's another real, amazing power, powerful tool that I really love using. So do you go obs into descript? Is that way? How? I don't need to really because when I'm doing descript, it's not live, so I can screencap my screen and descript directly and my webcam all at the same time, you know. So, so it descripts not a recorder. Is that sorry? I'm I know nothing about descripts. I descripts not a record. The script is like a capture and then it let's script is an editor edits and it's a capture device both so it will it has a recording capture functionality inside the project. So once you create a new project, you say I want to capture something. Now you hit record, it pops up in a box and says what do you want to capture? Your screen and your mic, your screen and your mic and this, and you go, okay, capture all this stuff. And then you say, capture my second monitor and record from this microphone. Blah blah blah. So how does ibs? And you don't get charged until you do a transcription. I used it for a while in demo mode. Then once the demo ran out, I couldn't use transcription anymore, but it would still record, capture, edit all that stuff. Then I started realizing, oh my gosh, the transcription function is actually very valuable to me. Now I realize not only that, it's basically if Google Drive or Google Docs had a video editor, that's the script. So I can have my assistance literally editing the same video as me simultaneously, and she will see my edits, I will see her edits. It's that does that kind of stuff. So that is really really cool. Right. So again, I don't know if I would make it part of like a professional high budget workflow, you know, but it still feels a little new, but it's maturing quickly, and it's it's pretty remarkable. Thirty bucks a month gives you a pretty darned compelling, powerful tool set. If you upgrade to sixty a month. You're getting their entire voice to speech library or speech to voice library, which gets into some gray areas of ethics. Is that the word? I think? Yeah? Yeah, I can edit copy and will respeech copy using the speech of the person speaking. So that's the stuff we're talking about, like speech and stuff like that. I have not had a good luck with it yet. I've tried, even on my own where I went, God, I can't believe I know marbled that word. You know, it's just that was I mumbled terribly, you know, or just and it looks like audio white out. Yeah. Well, the problem is is when you use it, it's also audio video black out. Whenever I do an edit, it blocks out the frames of video during the edit. I'm like, what uses that say? You can't cut away to something else? I would have to cut away with something else for that one word. Yeah. Right, So it's still I don't know what's going on. I understand that the lip flaps ain't going to match up here, you know, because like it's a different word, but um, yeah, it's it's that's a weird quirk that they haven't sorted out yet. So I have not made use of this tool extensively, and if I was using it, it would be just for a single word where I was too lazy, did not feel like setting up everything again and reshooting that. You know, one word, you know which sometimes you can get away with if the sinks a bit rubbery for one word, you can get away with it. Andrew's mind, Monty Python bit was hilarious. Yes it is. It was. The Lumberjack song was incredible that actually it worked for singing. It was pretty speech but yes, it was like, my god, that was so funny. Yeah, So if you if you want to kind of wrap your head about what, wrap your head around better about what descript I hate making sound like I'm promoting this freaking product here, but if you want to see what it does, could you just go to descript dscript dot com slash tools and it just has this never ending scrolling list of like, if you want to do this, here's how you do it. If you want to do this, here's how you do it. And when you look at the list, you're like, holy smoke, this thing did a lot of stuff. And then it gives you the paint by numbers approach of well, how do you do that one thing. So um anyway, yeah, that's that's descripted. So so so you just pay a flat fee and you can do as many transcriptions as you want or they know. But once you pay that fee, you can just transcribe to your heart's content, your brains out, and it's way faster than real time because it's it is doing that in the cloud. The actual transcription is happening in the cloud, I think pretty sure. So well, then you just have to edit it for the ones that it gets your own as text as the can. You can end by text do or by video. There's an actual timeline at the bottom. There's a waveform view and I will go in there and trim border, you know, because it's non destructive, so you can go in and trim borders of where it removed. Also, it has automatic UM removal words. Ye have automatic light removal actually in the advanced mode, the more expensive model. It knows has a pretty big library of filler words. Yeah right, like UM light, speech impediments and things like that. So it will it'll slice and dice the hell out of a file, drool around. I want to see how it goes with someone with a strong accent. Yeah. Yeah. And if there's like a conversation, let's say it's a podcast with three or four voices, it's it says, oh, who is this? And you type in their name and who's this? And type in your name, and then the waveform is color coded based on who's speaking, so it keeps everybody straight. And then so if you're doing a speech a text speech correction, you're choosing whose voice it is you're replacing. Right, So yeah, it's pretty crazy, pretty nuts, pretty pretty kind of current technology. I would call it. You know, all right, I want to add one more thing to this, because we've done our three favorite things and then went off on a tangent. I'm going to have one more thing if you can only have we are we charging the script for this, by the way, Yeah? Yes, where's our three year subscription? Thank you? A descript Yeah that's right. So if you had only one interface and one microphone, what would it be or what would they be existing or not existing yet? Can it? Can it be something coming? I would like to say yes, but no, I can't say the passible vo I'll go first again because I reckon I'd go I'd go the roadcaster as an interface because it's so much more flexible for everything else I need to do. Uh, and I would go I'd have to keep my TLAM one three. I think that's probably my favorite. Mike m hm m m rub it. Uh, one microphone, just one for every situation I could probably ever deal with. It might be the four fourteen, which one um yeah probably actually whatever the newer one UM wouldn't I don't know. But if you're gonna go four fourteen, wouldn't you go for the eight one eight? Oh you're right? Yeah, you're right. You know it's so funny because the eight eight one eight is like, yeah, yeah, it's funny. No, the it's it's it's funny because like it's just like the four one four of the eighty seven. There's these things are just like printed on your head. But but no, I would absolutely take the eight eight. Yeah, the eight one eight would definitely do everything the four fourteen does and then some so because because really the eight one eight literally is like two microphones. It's a stereo right, um. So yeah, I was gonna ask I get the whole rig, Like, can I just say, hey, my pro tools interface, which is really like two or three boxes or do I have to just go with like a Well, that's why I went with Roadcaster because it's more Yes, it's not just a miking to face, but it does everything else I wanted to do as well. Yeah. Yeah, it plugs in with a USB, so I mean I would I would go with my my you know, like the HDX card from pro Tools and a sixteen channel two rack space io box hooked up to it. There you go. And then but then I got no preamp, so maybe for that reason, I would have to go with something like a really loaded matrix from Avid, like preamp cards and everything else in there. How's that cool? It's likely or something we need some market options. Yeah, Georgia, I'm gonna say two products that make me angry to say them, but I'm gonna do it anyway because I just know what I can do with these two things. And that's gonna be You're gonna say the Apollo and and the microphone is going to the towns in. Yeah, that's hard set right, Okay, Yeah, I mean I don't have a townsend of my own to play Rooks, but I've you know, set them up a lot, and gosh, I mean you just there's just really nothing wrong with that mic that I can find. I can't flaw it in any way if if you can say it has a flaw as it's physical size. It's a big mic, you know, I mean it also is two mics. It really is two mics. It literally well it's it's a yeah, it's the same as eight. It has two outputs like the eight when eight Yeah. In fact, I bet, I bet, I mean. I asked the guys at Austrian Audio about this and they were just like, why what do we want to make our mic like any other mic. It's it's perfect already like they do. It didn't calculate in their head as far as like if you want that, go buy that thing. They guarantee you if I loaded this fear plug in and plug my A one and with both capsules, it would work perfectly with a Sphere plug in, Like I don't know, I can't guarantee it would be dead act well it would. It might not be like scientifically accurate, but it would be the same shape. Absolutely would work, yes, absolutely totally, UM, But you need a license for that. Sphere has a license, the plug in license UM, which of course is handled through Apollo, especially because Universal Audio UM bought Townsend Labs. So now that's there, Mike, um So, but um at a thousand dollars price point for the new one that's I think it's called the d X. They have a smaller and a larger one. Now, um, you know it's um it's ridiculous that you can get a U eighty seven and A four sixteen and a U sixty seven Antila one O three Anticole's forty thirty eight right now, Like, yeah, I mean you can get it. You can get the Apollo twin, not the twin. You can get the Solo Paulo Solo and a Sphere for fifteen hundred dish dollars and you're set, like and that's insanely flow speed. The basic spheres A thousand, and then they have some bigger, bigger model, the one with the two thousands. Right, that's the real deal. That's only I thought, No, you see them, you see them? Well they have They have a couple of models. The original Sphere L twenty two was the fifteen hundred dollars mic and then Universal bought them, and then Universal made their own branded version of it, and then they came out with a smaller, lighter version, and I don't know sonically how they're different, to be honest, I don't know, but they the smaller, less intimidating one is still a thousand but it's a thousand bucks with the plug in. There's no way the economics dictate that it is the same quality mic as the eight one eight, even though they're both dual diaphragm and whatnot. It's till labs is clearly not made in Austria, and it's clearly not made in Germany. Okay, so it's it's a less expensively constructed microphone. You know, it's not made to the same degree. It's the tech versus hardware approach it like you you want the flexibility. I'm gritting my teeth saying this, right guys, because I hate you know. I'm a part you know, I helped design the Passport vo right, like I invent it. I help you guys invent it because I didn't want you to buy more apollos. I really, I really don't want more people buying into the Apollo locked in ecosystem, right, I want I don't want that to be a But you had to ask me, and what's currently available, and because of the flexibility, because of the way I work with actors and the way I can tune their mic for them, Like it's just incredible. I can set the proximity effect for them. I can mess with just it's just such a cool proximity affect ones a little bit of a it's an equ smoking mirrors, but you know, it's just it's fun that I can do that. I can. I can literally steer the pickup pattern a little bit left to right. I can shape it. I can, but they can't. But you can't do it in a four frequency bands like the that is, the player has a five frequency band polar pattern building tool. Which have you have you guys had any chance to really put to the test? I mean, have you spent I messed with it. It's the problem is like every recording session, honestly, is moving too fast to get into that kind of level of stuff where it's like I'm going to tune, I'm gonna tune the off access rejection. I thought it was kind of a solution looking for itself. It's great idea, yeah, but I think I think for you though, rub it because it's not while you're the in session it's when you're actually impost that. That's when you use the five band um polar pattern. Yeah, if you're if you're recording it with both capsules and you do that, you don't walk in, which honestly I haven't done a lot of I've been using it a lot, just like one Mike here you go yeah, um but and and honestly it is like just like set it up like it's great anyway. So it's really hard to change your workflow when you just have a way of working with Mike's and the eight one eighth it's just a regular mic and even doing it and then just to have to read it and say, well, I'm gonna completely rethink how I use a microphone now, and then set up things like I see, I see how that future works in theory. And there's many times when you're like man like, like that one thing in the kick drum and the bleed, I'd like to get rid of it or make it sound more natural, because I can't get rid of it, so let it breathe because it's just there anyways. And that's a unique I mean, can you imagine having the budget to do an entire drum kit and eight one eight's just like the whole thing. Like literally, Mike, you know, yeah, that would be that would be sick. You could you could be like, oh, the fifty seven is I'd rather have twenty one on the snare or whatever. You know, I just oh, man, that would be cool. Yeah, yeah, yeah, gosh yeah. They are a great microphone and one of a sponsors of course, but and the Apollo a knocks it out. Yeah, I mean the Apollo knocks it out as far as capabilities, and just like Reaper, if you're willing to let it do what it can do, it does a lot. Well, here's what I tell people about the Apollo now, at least from the perspective as of an actor. If you do not need headphone monitoring, you do not need the Apollo, because to me, the whole point of the Apollo is that zero latency monitoring of your chain. If you don't need that function, you don't need the Apollo at all. You can do everything in post it doesn't matter. I would agree that you can. You can do it all. Well, well, if if if you don't need that in low latency, then you can do it. You can do it. You can do it. As an insert or you can do it in a reaper, you could do it in OBS. I bet if you put your head to it, you could do it in a million different apps. You could do it in our new next Rounder application. You can do what the Apollo does in near real time, no problem. It's just that monitoring of real time audio is its magic trick. And if you don't need that, you don't need it. But here's the thing that the Apollo does for that benefit is like by having a pretty decent mike preamp in there. And I don't know about the Solo, but definitely the Twins got a decent enough mike Pre Again, it's like that. It's quite service a mass produced Mike pre It's not a John Hardy, but it's quite usable, very usable. And then you have that super low latency feel and it does provide a very cushy, solid feeling system, you know, like it's not annoying hearing yourself, Like you can route things into this mixer. You can add a little like whatever. If you're a singer, you can add rerip to your voice. You're you're gonna be able to do all this stuff that you would want to do. For the most part, but you got to know what you want. And here's another not often done thing, but I do. I've done some very rare occasion is set up a monitor only chain, so they're printing raw but they're monitoring. Yeah that without the singer chain. You know, I want to hear more rever blah blah blah. Like I've set that up like a big fat LA two or a voxbox plug in. You know. Yeah, I just saw them sing into the compressors that thing. Yeah, I've done that for a couple of voice actors because they came from radio and they were used to hearing this juicy saturated thing in the cans and and like they really miss it, like they want to hear they must hide it when they go for the edit. Yeah, they do, imply back. Yeah, yeah, well you can put the same chain in a place. But if you want that thing, then it's I mean, if that's what you want, you're basically looking at either pro Tools HDX, an Apollo system maybe an Antelope system can do that kind of stuff a little bit. And then Appage now is getting into it. Yeah, but that built in DSP and Moto. Yeah, the forty eight, what's it called the forty eight X and and you can't forget r R. Yeah, but they have very limited DSP. Obviously, Apollo has the most crazy amount of a day internality, but Appagi's got a limited amount. I mean, I mean, actually the mot the Moto Matrix will run the Apollo in circles as far as what it can do routing wise too, Matrix. You've ever been in the Moto like like the mo two interfaces have a web driven app and one of them just looks like the entire screen from Dante. Like you can just route anything anywhere, like way better than what the Apollo interface kind of. Let's actually speaking of Dante. Why do we need any of this stuff? Can we just do it all in Dante? Now? Do it? I mean you need a hardware and you need a microphone in You could get a I just saw a thousand dollars interface that's just Dante. It's it's Mike pre and Dante out just Dante, right, but it has preamps on it. Yeah, so that's I mean Dante in Dante in is like USBN. You're gonna go in invite Ethernet using Dante. I mean, you could use a VB which is sort of like a free version of Dante a little bit different, Like but um, it's it's still audio over Ethernet, but that's still just the pipe into the computer. They're all interfaces, right. A VB is motus in house, so I mean Dan Dante, right, AVB is open source, it's not. Okay, So the differences is AVB is technically more capable than Dante, but AVB runs it layer two, where's Dante runs at the application. Okay, so the different layers of the way things are engineered, I forget. But like layer one is like the physical plug. Layer layer two becomes UM sort of like the wiring and the UM the network pulse going through it, but it's before the IP addressing. It's lower. It's like at the MAC address layer. See, it's very loyally to see because it's not it's not running on a switched network, right, It's it's more like a broadcast everywhere on the core level of the switches instead of on the I'm going to send this here and that there kind of thing. So it's lower latency. But because of that you need to have special switches. Whereas I believe I think Dante is also somewhat specific, but not nearly as specific as a VB. You can go to best Buy and get an eight part eighty dollars neck gear switch and it will work with Dante. Yeah, exactly. So AVB, I believe is in like the sub five millisecond range and Dante is like in the five to ten millisecond range. But they're both very fast and similar idea. And also Avid used a VB for a lot of their interfaces. You see it pop up here and there. Okay, well, I don't think Andrews said his yet, did Andrew did you say yours? No? No, I haven't, No, I haven't. Oh you know that's right. Well mine's pretty quick actually. M As much as I would like to say the one night, I won't because if I'm not here and I'm on the road, then it's not so practically, I don't really want to be dragging that around and losing it somewhere. Um, So I would go for the forty one six, and the interface would be the SSL two until, of course the possible video is called it. That's that's I knew we're gonna say. But I mean, that's what you've been using consistently and getting really good results. Yeah, you were who the passport video was designed exactly pretty much. The whole design process was us all having a huge tug as a war, and you were in the middle, like as a referee. Yes, I was. Yeah, I don't know what I want exactly, but I think you're saying yeah, yeah, and you can't call it that because no want to know what that means. Yeah. I feel like no one's gonna want yeah. Yeah, you were like customer number one, Yeah you and then like the podcasting version of you. Yeah. But I think it's the trouble is now we've said that if anyone gets it and they go, oh this is shit, I'm going to be the one that gets black you. Well, it is your fault. Why don't I have Andrew's career. I just bought this thing and my career still is Like, that'll be the feedback when I just bought one of these things. It just got delivered and I sound nothing like AP. What the fuck's going on? Yeah? That could be a good thing. That's okay, listen to AP. I can have to play that at some point, I think, I think so it might be on the outro of this one. Well, the wealth of the hilaria will continue much the same as the past few days. Temperature seventeen centigrade, that's forty nine pannonite. Winds will freshen later tonight to southwest force six or seven, and there will be showers, sometimes heavy, and many ohsoted, How did you want to do this? I don't want to be a weather forecasting who would wrap it on all day up sunny periods and patches of rain spreading from the west. I wanted to be a lumberjack, leaping pond tree to tree as they float down. The mighty rivers of British Columbia, the giant redwood ach fifth, the mighty Scots try the lusty flowering cherry, the bloody little aspun balls and pin rolled three of Niteria, but tar in wattle of all the johns come maiden hedge, beating water plant, dundardy lust a sharp smashy folk, the flatulant alb of West Prislet, the quirkus maximus bamber gascoigne eyes. They are fagelius loop artie silia screen us went my best buddy imus sign wait sang sang the sand in the door along the jack and arm Loki. I sleep all night, Dad of work all day, cut down trees, I lunch, I go to the lava tree, pum wittens is argal shopping and have bottered scones fourteen. I am Jack and Vay I see four down A work called day I cut down trees. I steep ben Chump, I like due for us while fires, I put on women's clothing and tang around in bars. Jackonay work called I cut down Trees, po park eel suspendes and our war thow we start being a girly just like bar deer paparm Well, that was fun. The Pro Audio Suite thanks to Chime and Austrian audio recorded using Source Connects, edited by Andrew Peters and mixed by Voodoo Radio Imaging which takes apart from George the check which I'm don't forget to subscribe to the show and joining the conversation on our Facebook to leave a comment such as the topic or just say gooday, drop us a most at our websites pro audio sweets dot com
