What started out as a discussion about the best way to format your audition, became a bit of an insight into how the other end approach Auditioning the Auditions. What makes the studio or casting director turn off? What might be the technical differences between getting and NOT getting the job, even if you DO have the best read? And why do Robbo and Robert disagree on one very big point? A big shout out t our sponsors Tri Booth. As a part of their generous support of our show, they're offering $200 off a brand new booth when you use the code PAP200. So get onto their website now and secure your new booth... https://tribooth.com/ We have launched a Patreon page in the hopes of being able to pay someone to help us get the show to more people and in turn hopefully help them with the same info we're sharing with you. If you aren't familiar with Patreon, it’s an easy way for those interested in our show to get exclusive content and updates before anyone else, along with a whole bunch of other "perks" just by contributing as little as $1 per month. Find out more here.. https://www.patreon.com/proaudiosuite If you haven't filled out our survey on what you'd like to hear on the show, you can do it here: https://www.surveymonkey.com/r/ZWT5BTD Join our Facebook page here: https://www.facebook.com/proaudiopodcast And the FB Group here: https://www.facebook.com/groups/357898255543203 For everything else (including joining our mailing list for exclusive previews and other goodies), check out our website https://www.theproaudiosuite.com/ “When the going gets weird, the weird turn professional.”

Why you may not win the job even though you nailed the Audition!