The Rise and Fall of a Showman: Exploring 'Monsieur Aznavour'
Movies First: Film Reviews & InsightsMay 14, 2025x
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00:04:083.83 MB

The Rise and Fall of a Showman: Exploring 'Monsieur Aznavour'

In this episode of *Movies First*, Alex delves into the captivating biopic *Monsieur Asnavour*, which chronicles the life of the legendary French-Armenian singer-songwriter Charles Aznavour. With a rich musical backdrop featuring both his iconic hits and lesser-known tracks, the film offers an intimate glimpse into Aznavour's journey from a troubled childhood to international stardom. We explore his early years, marked by resilience and creativity, as his family sheltered those persecuted during World War II, and how his partnership with pianist Pierre Richie blossomed under the mentorship of the illustrious Édith Piaf.

As we navigate through Aznavour's tumultuous personal and professional life, we discuss the complexities of his character—his self-centeredness, charm, and the duality of his relationships. The film paints a portrait of a man who, despite his diminutive stature and unorthodox appearance, captivated audiences worldwide with his raspy tenor and emotionally resonant songs. Tahar Rahim's portrayal of Aznavour is both compelling and nuanced, bringing depth to the artist's struggles and triumphs.

Listeners will appreciate the film's exploration of Aznavour's evolution as an artist, including his bold choices that led him to break free from the shadows of his mentors, and the impact of his music on diverse audiences. The performances of Bastien Bouillon as Pierre Richie and Marie Julie Baup as Piaf further enrich the narrative, showcasing the vibrant world of French music during Aznavour's rise.

With a score of 7.5 out of 10, *Monsieur Asnavour* is a visually stimulating and emotionally charged film that reveals the complexities of a man who loved fiercely yet could be dismissive. Join us for an enlightening discussion that promises to deepen your appreciation for this remarkable artist and his enduring legacy!
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00:00:00 --> 00:00:02 Alex First: Driven and never satisfied, the life of

00:00:02 --> 00:00:05 one of the great singer songwriters is put

00:00:05 --> 00:00:08 under the microscope in Monsieur Asnavor.

00:00:08 --> 00:00:11 The movie is underpinned by a most appealing

00:00:11 --> 00:00:14 music bed featuring several of Frenchman

00:00:14 --> 00:00:17 Charles Asnavors, who passed away in October

00:00:17 --> 00:00:20 2018. Finest Songs

00:00:20 --> 00:00:23 Voice Over: 5, 4, 3,

00:00:23 --> 00:00:26 2, 1 Cue Music.

00:00:26 --> 00:00:29 This is Movies first with Alex

00:00:29 --> 00:00:30 First.

00:00:30 --> 00:00:33 Alex First: There are also some his less known numbers.

00:00:33 --> 00:00:35 It tracks back to his childhood with his

00:00:35 --> 00:00:38 sister Aida, who is still with us at

00:00:38 --> 00:00:41 age 102. Of Armenian

00:00:41 --> 00:00:44 descent, Aznavor's parents introduced him

00:00:44 --> 00:00:47 to performing at an early age. When

00:00:47 --> 00:00:49 World War II arrived, the family hid people

00:00:49 --> 00:00:52 persecuted by the Nazis. Charles and his

00:00:52 --> 00:00:55 sister were involved in rescue activities.

00:00:56 --> 00:00:58 Asnavor performed in nightclubs and and

00:00:58 --> 00:01:01 formed a partnership with pianist and singer

00:01:01 --> 00:01:03 Pierre Roche. On one

00:01:03 --> 00:01:06 occasion, the pair was witnessed by acclaimed

00:01:06 --> 00:01:09 French singer and lyricist Edith Piaf,

00:01:09 --> 00:01:12 who subsequently took Asnavor under her wing.

00:01:13 --> 00:01:16 Asnevor and Roche became her warm up act and

00:01:16 --> 00:01:18 then traveled to and performed in Montreal

00:01:18 --> 00:01:21 before. On Piaf's advice, Asnavor branched

00:01:21 --> 00:01:24 out on his own. That included walking away

00:01:24 --> 00:01:26 from his commitment to return to Canada,

00:01:26 --> 00:01:28 ditching his wife, with whom he had a

00:01:28 --> 00:01:30 daughter, and breaking his partnership with

00:01:30 --> 00:01:33 Roche, a tireless worker who craved the

00:01:33 --> 00:01:36 adoration of a crowd. As Navour also came

00:01:36 --> 00:01:39 to recognize that his dedication to Piaf was

00:01:39 --> 00:01:41 holding him back. But success

00:01:41 --> 00:01:44 didn't come easily. With his diminutive

00:01:44 --> 00:01:47 stature, unattractive look and nasally

00:01:47 --> 00:01:49 voice, many of his initial reviews were

00:01:49 --> 00:01:52 unfavorable and inflammatory.

00:01:53 --> 00:01:56 When fame did come, he capitalized upon it,

00:01:56 --> 00:01:59 touring extensively, singing songs in

00:01:59 --> 00:02:01 multiple languages. The movie shows

00:02:01 --> 00:02:04 Asnavor to have been self centered and on

00:02:04 --> 00:02:07 occasion, withdrawn. He is painted

00:02:07 --> 00:02:10 as an inveterate womanizer, a hard

00:02:10 --> 00:02:12 taskmaster, an astute marketer,

00:02:13 --> 00:02:15 generous to his loved ones and performing

00:02:15 --> 00:02:18 until the end. He could also be broad

00:02:18 --> 00:02:20 minded, as shown when he wrote a moving song

00:02:20 --> 00:02:23 about a homosexual singer he met in a

00:02:23 --> 00:02:26 cabaret bar. His voice was that of a

00:02:26 --> 00:02:29 raspy tenor and his empathetic chanson

00:02:29 --> 00:02:30 material connected with people.

00:02:32 --> 00:02:35 Monsieur Asnavour is a densely packed biopic

00:02:35 --> 00:02:37 of a man who wasn't always attractive. He

00:02:37 --> 00:02:40 loved hard, but he could also be quite

00:02:40 --> 00:02:42 dismissive, discarding those who

00:02:42 --> 00:02:45 didn't or no longer fitted his agenda.

00:02:46 --> 00:02:49 Tahar Rahim does a fine job in the lead,

00:02:49 --> 00:02:52 transforming himself, warts and all, into

00:02:52 --> 00:02:55 Aznavor. He carries the movie

00:02:55 --> 00:02:58 with distinction through the adult phases of

00:02:58 --> 00:03:01 Asnavor's life. Bastien

00:03:01 --> 00:03:03 Bouillon is personable as his musical partner

00:03:03 --> 00:03:06 Pierre Roche, while Marie Julie Baup is a

00:03:06 --> 00:03:08 scene stealer as the strong willed Edith

00:03:08 --> 00:03:11 Piaf. Hamed Gamal-el-dien Mutawakkil comes

00:03:11 --> 00:03:14 across as empathetic as Asnavor's loyal

00:03:14 --> 00:03:16 sister. Having listened to

00:03:16 --> 00:03:19 Aznavor's 1 songs and

00:03:19 --> 00:03:22 watched documentaries and his interviews, the

00:03:22 --> 00:03:25 writer directors pared back their initial

00:03:25 --> 00:03:28 200 page script. In

00:03:28 --> 00:03:30 so doing, Mehdi Ide and Grandcourt Malade

00:03:30 --> 00:03:33 have still given us a vivid picture of a

00:03:33 --> 00:03:36 born showman whose life had many ups and

00:03:36 --> 00:03:39 downs. Monsieur M Asnevor is

00:03:39 --> 00:03:42 visually stimulating too, as we see the

00:03:42 --> 00:03:44 transformation from struggle to opulence.

00:03:45 --> 00:03:48 Before viewing it, I only had a very broad

00:03:48 --> 00:03:51 brush picture of Asnavore, so the film proved

00:03:51 --> 00:03:53 to be an eye opener for me. Rated M

00:03:53 --> 00:03:56 M, it scores a seven and a half out of ten.

00:03:56 --> 00:03:59 Alex: You've been listening to Movies first with

00:03:59 --> 00:04:02 Alex. First subscribe to the full

00:04:02 --> 00:04:05 podcast at Stitcher and itunes or your

00:04:05 --> 00:04:07 favourite podcast distributor. this has been

00:04:07 --> 00:04:09 another quality podcast production from

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